Girl posing in white dress next to brooms.

Josiméne possessions include this dress, two pairs of shorts, one skirt, a couple of shirts, a school uniform, and flip flops.

© Gigi Cohen
Gigi Cohen

Gigi Cohen, a New York-based photographer, began her career working for New York Newsday.

She is now a freelance photographer specializing in documentary photography and portraiture, focusing on a wide range of social issues—from incarceration, to AIDS, to children’s rights. Her photographs have appeared in the Sunday Times Magazine (London), the Independent on Sunday, L’Express, British Esquire, the New York Times Magazine, LIFE, and Der Spiegel, among others.

Cohen has worked in South Africa, Hong Kong, India, Poland, the Caribbean and throughout the United States. Her photographs have been exhibited internationally, in San Francisco, London, Leeuwarden, Madrid, Durban, Melbourne, Zurich, and New York City.

Self-funded, long-term projects include: death row inmate Philip Workman, in Tennessee; a group of street children living in a home in Soweto, South Africa; and an 89-year-old junk collector, in Brooklyn. Cohen’s emotional commitment to the people she photographs keeps her returning to these subjects.

Currently, Cohen has a grant from Kids with Cameras to work with child domestic workers in Haiti. The project is a continuation of her work for Child Labor and the Global Village: Photography for Social Change. In 2004, she was a fellow with the New York Foundation for the Arts.

Artist Statement

Gigi Cohen

Josiméne, 10, works as a restavec, or live-in maid, in a two-room house outside of Port-au-Prince, Haiti's capital. When Josiméne was seven, her parents—small farmers in Haiti’s remote and mountainous heartland—asked a local woman to find a family that would take her as a servant. They believed that another family could give their daughter a better life and provide her with an education. Josiméne’s parents did not get paid for her placement with a family, nor do they get paid for the work she does for that family.

But Josiméne’s life is far from better. The reality for most of Haiti’s restavecs—a term that combines the Creole words for “to stay” and “with”—is one of harsh servitude. Josiméne’s day typically starts at 5:00 a.m. and ends after the family’s children, aged five and four, are asleep. Her day is full of household chores. She bathes the children, cleans the two-room house, washes dishes, scrubs laundry by hand, runs errands, and sells small items from the family’s informal store. At the end of the work day, after the family eats dinner, Josiméne is given the leftovers. At night she sleeps on the concrete floor, covered by thin bed sheets.

There is little time left for the education Josiméne’s parents had hoped she would receive. The Maurice Sixto Foyer, a nonprofit organization in a suburb of Port-au-Prince, offers free schooling for restavecs, but on many afternoons, Josiméne’s errands keep her too busy to attend.

Estimated numbers of child domestic workers around the world range into the hundreds of millions. Haiti, with a population of eight million, has an estimated 300,000 restavecs.

The line between basic housework and child labor, according to the International Labor Organization, is crossed when children are sold or trafficked, bonded to repay family debt, or exposed to safety or health hazards; work without pay or work excessive hours; suffer physical violence or sexual harassment; or are simply “very young.” The ILO says that the restavec practice is “tantamount to slavery.”

This story is part of the collaborative project, Child Labor and the Global Village: Photography for Social Change. For more information please go to:

Gigi Cohen, March 2005

Moving Walls is an annual exhibition series that explores a variety of social justice and human rights issues through documentary practice, and is produced by Open Society’s Culture and Art program. Moving Walls is exhibited at our offices in New York, London, and Washington, D.C., and includes five to nine discrete bodies of work.

Since 1998, Moving Walls has featured over 200 photographers and artists whose works address a variety of social justice and human rights issues.

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